Published escapable Semiotics in the (Balconies on that rain) The cover is a model

Abstract

Reading the text in the modern critical discourse is no longer the same. It has become variant and different، and it moved from reading the texts in the context of narrow connotation, to be read in the context of deep cross-semantics. Therefore, thresholds surrounding the text became effective means to read the text critically through its impact on the text, and its conscious capacity to clarify its various aspects and angles.
Perhaps the cover page is the first interface that meets the reader in the text, so it is of great importance in the formation of semantic productivity, and the preparation of the recipient to access the text.
Depending on this perception, this research studies the Published escapable Semiotics, and took the cover of the Diwan of (Balconies on that rain) by the poet Salim Alnafar as a model of analysis and study.
The researcher has reached a set of results، the most important of which is that the cover of the Diwan and its title succeeded in reconciling poetry with reality، and aesthetics with ideology، where it achieved harmony between the world of functions and connotations، to lead the reader to discover the superficial and deep formal structures of the imagined، which has appeared through our analysis of the contents of poetic discourse.